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Original Title:	Good-bye to All That: An Autobiography
Edition Language:	English
Characters:	Robert Graves

Goodbye to All That

Robert Graves

Paperback | Pages: 281 pages

Rating: 4.05 | 9642 Users | 628 Reviews

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Title	:	Goodbye to All That
Author	:	Robert Graves
Book Format	:	Paperback
Book Edition	:	Modern Classics
Pages	:	Pages: 281 pages
Published	:	September 28th 2000 by Penguin Modern Classics (first published 1929)
Categories	:	Nonfiction. Biography. History. Autobiography. Memoir. War. World War I. Classics

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An autobiographical work that describes firsthand the great tectonic shifts in English society following the First World War, Robert Graves's Goodbye to All That is a matchless evocation of the Great War's haunting legacy, published in Penguin Modern Classics.

In 1929 Robert Graves went to live abroad permanently, vowing 'never to make England my home again'. This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and looks at his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written.

Robert Ranke Graves (1895-1985) was a British poet, novelist, and critic. He is best known for the historical novel I, Claudius and the critical study of myth and poetry The White Goddess. His autobiography, Goodbye to All That, was published in 1929, quickly establishing itself as a modern classic. Graves also translated Apuleius, Lucan and Suetonius for the Penguin Classics, and compiled the first modern dictionary of Greek Mythology, The Greek Myths. His translation of The Rubáiyát of Omar Khayyám (with Omar Ali-Shah) is also published in Penguin Classics.

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Ratings: 4.05 From 9642 Users | 628 Reviews

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It is as a document of World War One that this book really shines. Robert Graves includes a wealth of little details that bring the day-to-day life of him, and his regiment, to life: the gallows humour, the values of the soldiers, the disillusionment with the war and the staff (and yet the loyalty to their officers), the lice, the food, the other privations. It's all there in this excellent memoir. Robert Graves also captures the tragedy and waste of the conflict - friends and fellow soldiers

Robert Graves, an English poet, writer, and proponent of the White Goddess mythology of muses - all done with considerable talent - penned his autobiography in 1927, while still in his early thirties; even at such a relatively young age, he burned with the need to set to paper the traumatic and disillusioning experiences that seared him during his military service in World War One. Graves, a product of the British class system, forthrightly details his formative years amongst the upper echelon

This is a good year to read about World War I and there's no shortage of new material out there for anyone interested in the subject. However, this is a work that has been around for a very long time: since 1929, in fact. Published when Graves was just thirty-four, he wrote in the prologue to the revised edition published in 1957 that the work was his "bitter leave-taking of England" where he had recently "broken a good many conventions". It signalled Graves' departure for Spain, where he lived

As Paul Fussell so well points out in THE GREAT WAR AND MODERN MEMORY, young Britons of all classes rushed to support King and Country in World War I. Those ideals were dashed and this book, originally published in 1929, helps explain how. I would not say it is the best book in terms of style, but I will say that the episodes in this book, mostly taking place in the British military during World War One, are more than memorable and usually funny or bitterly funny in a way that supports one

The human mind invariably seeks patterns. And so, reading WWI histories always has been frustrating because of the war's Brownian motion; the inability to discern any strategy at all. So the great value of Graves's anti-war memoir is that, as a Captain in a Welch regiment, he had no clue about, and thus does not write about, the larger strategy of the war. He confines his pen to tactics, and the tactics he observed are damning. Lesson one, btw, is that the surest way to lose public support for

This is one of the great books to come out of the First World War. It is usually categorized as a memoir, but there is probably more fiction in it than fact. Graves was up-front about this: he wrote the book in just eleven weeks, because he needed the money, and admitted that he threw in every plot element he could think of that would help it sell. For all that, it transcends its genre, because sometimes fiction reveals more than fact. By not restricting himself to just what he personally saw

This book is a tale of three periods of Robert Graves's life, which spans his childhood, his involvement in WWI and the post-war years between 1918-1929. At this point the autobiography ends when Graves is 33. Graves added an epilogue later in which he comments that re-reading Goodbye to All That is much akin to reading ancient history.Graves takes us through his childhood years at a series of public schools, most notably Charthouse and then the main focus of WWI takes centre stage. I found