Itemize Books Supposing Blue Octavo Notebooks
| Original Title: | Die Acht Oktavhefte |
| ISBN: | 1878972049 (ISBN13: 9781878972040) |
Franz Kafka
Paperback | Pages: 120 pages Rating: 4.12 | 894 Users | 59 Reviews
Mention Regarding Books Blue Octavo Notebooks
| Title | : | Blue Octavo Notebooks |
| Author | : | Franz Kafka |
| Book Format | : | Paperback |
| Book Edition | : | First Edition |
| Pages | : | Pages: 120 pages |
| Published | : | February 1st 2004 by Exact Change (first published 1989) |
| Categories | : | Nonfiction. Writing. Essays. European Literature. German Literature. Classics. Biography |
Commentary In Favor Of Books Blue Octavo Notebooks
From late 1917 until June 1919, Franz Kafka ceased to keep a diary, for which he had used quarto-size notebooks, instead writing in a series of smaller, octavo-size notebooks. When Kafka's literary executor, Max Brod, published the diaries in 1948, he omitted these notebooks--which include short stories, fragments of stories and other literary writings--because, he wrote, -notations of a diary nature, dates, are found in them only as a rare exception.- The Blue Octavo Notebooks have thus remained little known and yet are among the most characteristic and brilliantly gnomic of Kafka's work. In addition to otherwise unpublished material, the notebooks contain some of Kafka's most famous aphorisms within their original context. This edition of the English translation has been corrected with reference to the German text for certain omissions and discrepancies of sequence. Followers of Kafka will require this book and will find it most rewarding.- --Library Journal.Rating Regarding Books Blue Octavo Notebooks
Ratings: 4.12 From 894 Users | 59 ReviewsCriticize Regarding Books Blue Octavo Notebooks
Parts of it were brilliant, some others not so.. It was after all just a collection of unfinished thoughts. I'd likely leave recommendations to Kafka fans.This is an amazing book. I've had maybe four copies in the last ten years and have given them all away. It's printed by two-thirds of what used to be the band Galaxie 500. The other third became Luna. A beautiful book. Includes Reflections on Sin etc . . . and aphorisms and freakish fragments.
Kafka kept journals full of day-to-day events; he also kept eight little notebooks cum "reflections" that contain thoughts and ideas that were not so time-bound. Examples:"The evolution of mankind--a growth of death-force.""He felt it at his temple, as the wall feels the point of a nail that is about to be driven into it. Hence he did not feel it.""Human judgment of human actions is true and void, that is to say, first true and then void."In a declarative way, such statements are analogues of
This can be viewed as a kind of Best Of version of Kafkas diaries, even though they were written in separate notebooks from the normal diaries. The scribblings of the blue octavo notebooks were limited, according to Max Brod, to literary ideas, fragments and aphorisms (without reference to the everyday world). I found the book boring at times, as in these notebooks, much more than in the other diaries, Kafka ruminates on religion and spirituality, which just wasnt what I was drawn to in his
"Sometimes I think I can expiate all my past and future sins through the aching of my bones when I come home from the engineering works at night or, in the morning, after a night-shift. I am not strong enough for this work, I have known that for a long time and yet I do nothing to change anything." (23)
"Your will is free means: it was free when it wanted the desert, it is free since it can choose the path that leads to crossing the desert, it is free since it can choose the pace, but it is also unfree since you must go through the desert, unfree since every path in labyrinthine manner touches every foot of the deserts surface."Kafka at his most fragmented and immediate. The blue octavo notebooks were the equivalent of those salt-and-pepper student composition books, meant for scribblings and
My favorite of Kafka's journals, with wonderful Nietschean aphorisms told in Kafka's inimitable cadence and voice.
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