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Free Download Books Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991

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Original Title: Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991
ISBN: 0316787531 (ISBN13: 9780316787536)
Edition Language: English
Free Download Books Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991
Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991 Paperback | Pages: 522 pages
Rating: 4.18 | 13153 Users | 636 Reviews

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This is the never-before-told story of the musical revolution that happened right under the nose of the Reagan Eighties--when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives reenergized American rock with punk rock's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith has been recognized as an indie rock classic in its own right.
Among the bands profiled: Mission of Burma, Butthole Surfers, The Minutemen, Sonic Youth, Black Flag, Big Black, Hüsker Dü, Fugazi, Minor Threat, Mudhoney, The Replacements, Beat Happening, and Dinosaur Jr.

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Title:Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991
Author:Michael Azerrad
Book Format:Paperback
Book Edition:First Edition
Pages:Pages: 522 pages
Published:July 2nd 2002 by Back Bay Books (first published December 20th 2001)
Categories:Music. Nonfiction. History. Biography. Punk

Rating Appertaining To Books Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991
Ratings: 4.18 From 13153 Users | 636 Reviews

Evaluate Appertaining To Books Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991
Exhaustive. This book took me forever to read. My favorite chapters: The Minutemen, The Replacements, Dinosaur Jr, Mudhoney. My least favorite chapters: Black Flag, Big Black, Butthole Surfers. I think the main thing I learned from this book is almost everyone in a band is an asshole. And also men are big fucking babies/martyrs. Ive never read a book that made me want to be in a band any less. It seems like a miserable existence. Im still giving it four stars because it is well researched and

An amusing motif of this book is being excited for your band to open for Public Image Ltd and being disappointed when, in true arrogant, wannabe-rock-star fashion, PiL skips your set. For example, when Minor Threat opened for PiL at the University of Maryland's Ritchie Coliseum in 1982, Ian MacKaye took it personally when John Lydon rode into campus in a limousine after Minor Threat reportedly "rocked fucking the house." Something like this allegedly happened to approximately half of the bands

as a kid i assumed punk & hardcore was right-wing music; from the safe confines of long island it seemed the nose-ringed & mohawked or shirtless & skinheaded were all about death and destruction and i naturally figured they'd be so inclined to support the party which always seemed to advocate dropping bombs and throwing some 'fuck you' to the poor -- yeah, dead wrong about the punks and a bit of a caricature regarding the grand ol' party. must admit i was kinda disappointed when i

Early in the this book Azerrad spent a bit of time building up the bands he loves by insulting bands like Genesis and Yes, which annoyed me since I happen to like a lot of prog rock in addition to the punk and indie music covered in this book. Fortunately he mostly dropped that attitude for the rest of the book. I liked the structure of the book, with chapters being just about the right length to give good depth to each band, but not so much that it became tedious or boring. One of the recurring

I loved this book. Azerad profiles bands like Black Flag, Minutemen, Mission of BUrma, Butthole Surfers, Sonic Youth, Big BLack, Minor Threat, The Replacements, Fugazi, BEat Happening, Mudhoney, and Dinosaur Jr. It's the royaly of 80s underground music in America. There are bands that could have been incouded, namely the Pixies, but Azerad wanted to focus on bands that made a big splash in America. And while the Pixies were an American band, they were on 4AD, an English label. They began to hit

I have read the chapters on Black Flag and The Minutemen and am loving this book. It revived so many old feelings and memories, and I didn't know it was possible to love Mike Watt any more than I already did, but I find myself even more enamored of The Minutemen. Next I think I'll skip to the Husker Du chapter--should be interesting in light of Bob Mould's recent 'coming-out' memoir.I just finished the book and absolutely adored it. I think Azerrad does a brilliant job of tracing the geography

I would've been totally shocked if I didn't love this book. With that said, I wound up enjoying it even more than I anticipated. The bands, record labels, and general era in the history of music described here are all favorites of mine. It's so cool seeing all these great college rock bands crossing paths, witnessing their internal drama, and seeing indie rock as we know it ascend to a place of prominence. It really conveys the vitality and joy of its title: as a proud fan of all these bands, I

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