Émile Zola
Mass Market Paperback | Pages: 462 pages Rating: 4.06 | 8047 Users | 335 Reviews
Particularize Regarding Books La Bête humaine (Les Rougon-Macquart #17)
| Title | : | La Bête humaine (Les Rougon-Macquart #17) |
| Author | : | Émile Zola |
| Book Format | : | Mass Market Paperback |
| Book Edition | : | Folio classique |
| Pages | : | Pages: 462 pages |
| Published | : | May 16th 2001 by Gallimard (first published 1890) |
| Categories | : | Classics. Fiction. Cultural. France. European Literature. French Literature |
Explanation During Books La Bête humaine (Les Rougon-Macquart #17)
« L'essentiel de La Bête humaine, c'est l'instinct de mort dans le personnage principal, la fêlure cérébrale de Jacques Lantier, mécanicien de locomotive. Jeune homme, il pressent si bien la manière dont l'instinct de mort se déguise sous tous les appétits, l'Idée de mort sous toutes les idées fixes, la grande hérédité sous la petite, qu'il se tient à l'écart : d'abord des femmes, mais aussi du vin, de l'argent, des ambitions qu'il pourrait avoir légitimement. Il a renoncé aux instincts ; son seul objet, c'est la machine. Ce qu'il sait, c'est que la fêlure introduit la mort dans tous les instincts, poursuit son travail en eux, par eux ; et que, à l'origine ou au bout de tout instinct, il s'agit de tuer, et peut-être aussi d'être tué. » Gilles Deleuze.Be Specific About Books Toward La Bête humaine (Les Rougon-Macquart #17)
| Original Title: | La Bête humaine |
| ISBN: | 2070418014 (ISBN13: 9782070418015) |
| Edition Language: | French |
| Series: | Les Rougon-Macquart #17, Les Rougon-Macquart #15 |
| Characters: | Roubaud, Séverine Roubaud, President Grandmorin, Berthe de Lachesnaye, M. Denizet, M. de Lachesnaye, Mme. Bonnehon, Phasie, Misard, Flore, M. Camy-Lamotte, Cabuche, Pecqueux, Jacques Lantier |
| Setting: | France |
| Literary Awards: | French-American Foundation Translation Prize Nominee for Fiction (2008) |
Rating Regarding Books La Bête humaine (Les Rougon-Macquart #17)
Ratings: 4.06 From 8047 Users | 335 ReviewsAppraise Regarding Books La Bête humaine (Les Rougon-Macquart #17)
I am convinced that if Émile Zola had been alive and at work in the second half of the 20th Century, he would be known today as one of the greatest modern screenwriters France ever produced. Zola's novel La Bête Humaine, along with being a piercing analysis of violent proclivities and their influence on male/female sexual dynamics, has a rocket-speed plot leaving you tight-shouldered, gasping, and bug-eyed from its very first chapter. Despite a lull near the middle of the book which is necessaryZola, oh Zola, this book isNot like Ebola Because I am happy to have it.It is more like Granola. Yum. Granola. I really like Granola. But it has too much sugar. Its healthy facade It a lie. Screw you Granola.But you are addictive Regardless
i avoided naturalism for a long time, i always thought it was going to be really dry and boring stuff, social criticism and whatnot, stories about people reduced to poverty by unfair labor practices who then get caught stealing shoes or something and get executed in the town square... but these zola books are the exact opposite, all the conflict is coming from inside the characters, everyone's bursting with hatred and jealousy and nebulous urges to kill and maim and destroy; everyone in this
Jacques Lantier, a train driver, attends the crime of the president of the railway company, Grandmorin. The crime is committed by Roubaud, a Deputy Chief of station and Séverine, his wife. It's a crime of revenge to punish this character of abusing Severine since his childhood. Jacques decided to shut up. Séverine and him fall in love. But Jacques is inhabited by deadly impulses due to a heavy alcoholic heredity. This one is passionate about his craft and he described his "La Lison" locomotive
Nice to be back in the Zolan bosom: multiple histrionic murderers, meticulous locomotive nous, and a splash of hopeless determinism. The seventeenth novel in the Rougon-Macquart series features some of Zolas most breathtaking descriptions of bleak rural backwaters, trains in their brutal firebreathing phallic infancy, hopeless provincials devising schemes to escape their predetermined lives of hate and misery, implausible gruesome murders committed by almost every character, and humorous
Okay folks, my first 5-star rating in 2009. I'm stingy with 5-stars, but Emile Zola delivered, again, after about 25 other books this year. When I enjoy classic writers like Thoreau, Dickens, Hawthorne or playwrights like Shakespeare or Whitman, I sometimes overlook nuances or miss the unexpected metaphor or misinterpret the character flaw that destroys the protagonist. Not so with Zola. No way! His themes and messages come at you like an over-steamed locomotive. Zola's characters wield their
"She was a virgin and a warrior, disdainful of the male, which was what eventually convinced people that she really must be off her head." So that trace of sanity is what made the public consider her mad. You can open Zola at a random page and find deep knowledge of the human machinery. Since I finished Crime and Punishment, I have been meditating on La Bête Humaine over and over. I used to consider Jacques Lantier the most evil character imaginable: the incarnation of Death. After all, his
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